Media Players: Eric de Fontenay, MusicDish
For our September Music Issue, we asked a selection of the city's music experts for their take on the current state of the 'scene' here in the capital. Now it's the turn of the city's media players. The figures that shape the city musically, their first hand insight provided some cause for optimism, and some sobering conclusions. Next up, Eric de Fontenay of MusicDish*China.
Describe your blog/website in less than 20 words.
MusicDish*China (独立小炒) mission is to bring greater awareness of China's independent music and live scene from a New York perspective.
Why do you find Chinese music so compelling to write about?
When I first visited China, Beijing's music scene reminded me of New York's underground scene in the early 80s, when groups like the Ramones and Blondie were redefining New York's sounds at clubs like CBGB. There is an energy and rawness that is reminiscent of that era that I feel is missing from today's Western 'indie' scene. To some extent, it makes me feel young.
How do you think independent Chinese music has progressed since you started your blog/website?
Chinese indie music has certainly developed an aura of 'cool' since I first started covering it. I certainly wouldn't say it's gone mainstream, but it has stepped out of the shadows. There have event been sightings of Chinese indie rock on CCTV! This has been in part due to the concurring growth in the festival scene, especially as they branch out of the major centers. Your also seeing a new, more mature generation of bands emerging, some even out of the music schools. Finally, one cannot underestimate the role that Sina weibo has had in tying indie bands to their fans.
What's the best act you've seen in the last 12 months?
Definitely Shanren! Though it ain't quite fair as I've seen them over half a dozen times in Beijing, NY and Toronto over the last few months – we helped promote their US tour. But on the record, they are one of the bands that can breakthrough in the West, including the US.
What's the best new act you've seen in the last 12 months?
I'm not sure how 'new' they would be considered, but I will mention two: Banana Monkey and 16mins. Having said that, I'm really sorry I've so far missed Residence A.
What would you like to see for the future of Chinese music in five years time?
I would most like to see an infrastructure developed to support China's independent music industry. Festivals like Midi and livehouses across the country have certainly done their share and I tip my hat to them. It's got to be one of the hardest jobs. But when compared to a market like the US, Canada or UK, there is a dire paucity of supporting professionals, particularly promoters and managers. I think a mentoring program, maybe in cooperation with other countries, would be a great investment for the China's music.
Why do you think it's difficult for Chinese acts to get international recognition?
China opened up barely 30 years ago and much of what we call China's indie scene emerged within the last decade. While China initially started by imitating Western rock, they are now creating a new voice for today's generation. Give it another ten years.
Click here to see the September issue of the Beijinger in full.
