Beijing Events

Friday | Nicola Lancerotti Jazz Quartet @The Bricks

Oct 26 21:30 pm - 23:59 pm
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At which venue:
B1-007,North Area Plaza of Shou Kai Bo Jun, Xindong Road, Sanlitun, ChaoYang District , Beijing [Limited seats for weekends, For reservation please call 010-64656692, 13810785420, 18611134399] 北京市朝阳区三里屯新东路首开铂郡北区院内广场 B1层 -007

A pure Italian style Jazz Quartet leading by Bassist Nicola Lancerotti, Lines:


Guitar: Quentin Stokart (Belgium)


Saxo: Daniele Martini (Italy)


Bass: Nicola Lancerotti (Italy)


Drums: Antonio FUSCO (Italy)


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Nicola Lancerotti Born on 18/08/1975 in Padova, Italy. In 1994 he enrolled in the AerospaceDepartment of the University of Pisa andbecame Engineer in 2003.Progressively introduced to the academic world of music by the hand of Master Nino Pellegrini, he started to learn jazz doublebass at the private school Scuola di Musica "G. Bonamici" in Pisa, in 2000. He simultaneously worked with school combos lead by Andrea Pellegrini with


monographic project on Mingus, Monk and Parker. He took part into workshops for talented musicians with I talian doublebass players Paolino Dalla Porta (Pisa, 2000) and Furio Di Castri (Terni, 2001). He took part into a special 2years course oriented to the "Piano trio language" with pianist Enio Corsaro and drummer Roberto Traverso. Masters Stefano Battaglia, Paolino Dalla Porta and Fabrizio Sferra taught the course. And as a result of their trio's work over a year time, they were awarded the first prize First Pisa Jazz Contest in 2002. Later that year, he followed the prestigious SIENAJAZZ Summer Workshops. He increased his skills studying jazz doublebass with Master Pietro Leveratto, combo class and refined ear training with Master Pietro Tonolo and theory and analysis with Stefano Zenni. In 2003 he was granted a place for studies on jazz doublebass class at The Hague Conservatory, in the Netherlands. In 2004 he switched to Brussels Conservatory where he studied fortwo years with Bart De Nolf, Diederik Wissels, Jeroen Van Herzeele, among others .

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